Quiet in the vibrant library!

Shhhh. No photographing in the library! Turn your camera shutter to silent mode!

A visit to a library, and then another, and another. As much as I’m a reader, keeping my thirst for knowledge of the world around us satiated, I’m not often in libraries. That is until a recent reportage photography and filming commission for the Scottish Libraries and Information Council, when I undertook a tour of libraries around Scotland, photographing and filming their various projects and initiatives to keep libraries, and in particular, school libraries, vibrant places of learning which can compete for attention in the modern, multi-distraction digital world.

From Glasgow, to Aviemore, Inverness, Aberdeen and back, a multitude of schools and public libraries hosted me, and showed me around. This was a great photography job to shoot, coming on the back of a 100-days trip around Australia photographing for the Commonwealth Games. This library job let me reconnect with Scotland after almost a year on the road, and let me enjoy driving by myself, photographing and seeing places across the country.

Scottish Library and Information Council from JshPhotog on Vimeo.

Undertaking the logistics and organisation of all the shoot locations myself, juggling phone calls and emails, lining visits up in order, seeking out specifics and hunting for the unusual. It’s a great way of doing a shoot, keeping it all under control, and being manager of your own time and schedule. It can of course be beneficial to delegate this and work with a team, but on a job such as this one being left to it was the right way to go about it all.

The work has appeared in the SLIC ‘Vibrant Libraries, Thriving Schools’ brochure and report, and the filming I undertook, along with editing the final footage and assembling it all, appeared as a short film for social media use. Selected pages from the report…


Photographing spirits!

Photographing things that go bump in the night! Another editorial and portrait photography shoot from recent times, photographing at the National Trust for Scotland’s Culross Palace and spending an evening, after hours, locked in the palace with paranormal enthusiast and palace custodian Linda Whiteford.

Kinda tricky to photograph that which can’t be seen, and maybe only felt by a cold whisper of air against your hands (or was it just a draught?), or a bump and sudden thud on the floor when you know there is no-one else in the building…all very spooky. I’ve done many crazy assignments in my photography career but this was up there with the more unusual, especially when we sat in cold rooms, in the dark, chatting to the spirits…

But, it all worked fine, Linda was great for collaborating with, making some portraits with, and the mustard yellow walls of the palace exterior looked lovely. And then later one, with a bit of judicial photographing into old mirrors, photographing into the flare of torches etc, we managed to bring about the feeling of supernatural goings-on.

Here’s the spread from the magazine, and also a few outtakes from the evening’s photography assignment.

New work

Some new commercial work I photographed recently for the UNICEF UK website, for their new campaign about air quality and the rights of children to have fresh air! It was great fun photographing this, the children enjoyed getting stuck into bubbles and wind musical instruments, and using various concepts to illustrate air and breathing. Great fun taking the pictures and nice to see them used so well by the client on such a worthy cause.


And one below, from a previous campaign for Rights Respecting Schools. This one photographed in Wales.


Clyde Built – Shipbuilding on the River Clyde

I’m pleased to announce that some of my archive work, of shipbuilding on Glasgow’s River Clyde in the 1990’s, has been published as a small book, and is due to be exhibited over the summer here in Glasgow.

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The photographs, shot in the Kvaerner, Yarrow and Ferguson’s shipyards on the River Clyde, have been published as a limited edition book by the industrious Craig Atkinson at Café Royal Books: ‘Shipbuilding on The River Clyde’.

A selection of the work from the book will be exhibited, in a group show ‘Govan / Gdansk’ at Street Level Photoworks gallery in Glasgow, Scotland, from 4th June until 31st July.

The show opening is Friday, June 3rd, at 6pm if you’re in the neighbourhood and would like to pop by. My book will be on sale at the show also, and on Saturday 4th June I’ll be talking about the work at the gallery. Please join us!

The book and exhibition were showcased a few days back by the Daily Record. You can read the article here, and here’s how it looked in a pretty decent spread.


This exhibition at Street Level, curated by director Malcolm Dickson, will encompass the work of four photographers- Michal Szlaga of Poland, Nick Hedges of England, Raymond Depardon of France, and myself. The works on show link the shipyards of Govan in Glasgow and Gdansk in Poland and their post-industrial decline and resilience.

Michal Szlaga’s ‘Stocznia/Shipyard – Documents of Loss’ is the outcome of a 15 year project in which Szlaga has documented the buildings of the Gdansk Shipyard, their gradual demolition and the construction of new ones. For Szlaga, the shipyard represents a dynamic landscape of industrial architecture reflecting history and its people, the images loaded with memories of the turbulent times of the anti-communist revolution.

In 1980, the French Magnum photographer Raymond Depardon was commissioned by the Sunday Times to record aspects of Glasgow and the evocative results are now lauded as telling an unremittingly bleak portrayal of urban deprivation and decay. In 1968 Nick Hedges was commissioned by the housing charity Shelter to document the abject living conditions being experienced in slum housing in the UK, including Glasgow. The images here are from the seminal and humanistic body of work ‘A Life Worth Living’, which, like Depardon’s work, see children happily at play against the backdrop of the Govan cranes, evidence of a community spirit unthwarted by the harsh realities of life.  Shot for editorial clients, Jeremy Sutton-Hibbert’s ‘Shipbuilding’ from the mid-1990’s is a critical time capsule at the Kvaerner shipyards in Govan which catches the monumentality of this industry and the people who drove it. 

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The exhibition ‘Govan/Gdansk’ and the programme of events around the exhibition are organised in association with an RSE – funded research network on Regeneration and Waterfront Heritage Zones, exploring participatory approaches to waterfront regeneration in urban spaces in transition in Northern European cities. The main case studies of regeneration focus on Govan and wider Glasgow (Scotland) and Gdansk (Poland), each of which are dealing with the consequences of the post-industrial demise of the shipbuilding industry, trying to find a transition into a new economy and community.

Associated Events:

Street Level Photoworks | 4th June 2016, 1-4pm
Symposium: Attracted to dereliction? Documenting post-industrial heritage

•  Prof Katarzyna Kosmala (UWS) Introduction – Gdansk/Govan; Govan/Gdansk
•  Michal Szlaga talk and tour of the works
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) addressing issues of documenting and conversation, linking to his on-going research on Gdansk shipyard and post-industrial regeneration.
•  Talks: Jeremy Sutton-Hibbert, Chris Leslie
•  Discussion facilitated by Graham Jeffery (UWS)


UWS, School of Media Culture and Society, Paisley Campus | 3rd June 2016, 1-3pm, Room A100

Seminar is free and open to public. To register pls email: Susan.Caldwell@uws.ac.uk  by 31 May.

UWS research seminar series:  Panel on politics of regeneration, artists lens and community engagement with Polish artist Michal Szlaga’s video screening

•  Chair Prof Katarzyna Kosmala (UWS)
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) discussing his collaboration with Michal Szlaga in Gdansk shipyard, problematizing the heritage value of the site.
•  Roman Sebastyanski (UWS) addressing Gdansk shipyard regeneration through artists lens and public participation.
•  Dr Peter Matthews (Stirling University) discussing politics around connecting communities to/in post-regeneration era.

Alongside the exhibition we will be selling copies of Raymond Depardon’s ‘Glasgow’.
112 pages, 30x23cm, £20, and Jeremy Sutton-Hibbert’s ‘Shipbuilding on the River Clyde’ on Cafe Royal Books, £7.

Recent Tear Sheets

Here’s a couple of tear sheets from recent work…

First up, nice usage of some photography I shot on assignment for Greenpeace in Iitate, near Fukushima, in Japan, covering the nuclear radiation decontamination efforts there. It’s a shocking state of affairs there, the Fukushima nuclear disaster is far from finished and it is estimated the clean up will take at least another 40 years…but of course Prime Minister Shinzo Abe and his government wish to present a clean, decontaminated face to the world as the 2020 Olympics looms.

Here’s the cover and a spread from the recent Greenpeace report which used the images, and which makes for sobering reading.


Image above shows a Japanese worker ‘decontaminating’ the forest, one stone at a time…the moss will grow back in weeks, and be contaminated due to the radiation held within the soil. A couple more spreads below from within the report…



Another tear sheet just popped in to the studio is the below, a series of images shot for Historic Scotland magazine documenting a day in the life of one of their Rangers, and a journalist trying out the job for the day.  It was a fascinating reportage and portrait shoot, on Edinburgh’s Holyrood Park and Arthur’s Seat, granting me a fascinating insight in the park life, its history and the archaeology of the area.

The job required it was shot in mid-Winter, but the brief required the images to look like Spring as that is when the article would run in the magazine. The day of the shoot was a cold, dark, grey, winter day. Nothing like spring. But then the clouds parted and for 10 minutes there was blue sky and sunshine. I shot like crazy. Hey presto, spring time.

Alas, I was disappointed by the usage of the images, by the spread. The design wasn’t to my liking so much, but the client was happy and that ultimately is the aim.




More tear sheets to come soon…