Longannet Colliery, 2001.

Following on from previous successful publications Jeremy Sutton-Hibbert has brought out a sixth publication of work in collaboration with Café Royal Books, ‘Longannet Colliery, 2001’.

 

‘Longannet Colliery, 2001’ by Jeremy Sutton-Hibbert/ Café Royal Books.

 

The work which was shot at Longannet Colliery in Fife during a newspaper magazine assignment takes a look at the working life in what was Scotland’s last commercially working deep coal mine. These pictures were shot in 2001, and after flooding in March 2002 the mine closed, thus ending underground coal mining in Scotland.

The book published in an edition of 250, is available from Café Royal Books, at the price of £6.00 plus P&P.

Publish Date 16.01.19
32 pages
14cm x 20cm
b/w digital

‘Longannet Colliery, 2001’ by Jeremy Sutton-Hibbert/ Café Royal Books.

 

‘Longannet Colliery, 2001’ by Jeremy Sutton-Hibbert/ Café Royal Books.

 

‘Longannet Colliery, 2001’ by Jeremy Sutton-Hibbert/ Café Royal Books.

 

‘Longannet Colliery, 2001’ by Jeremy Sutton-Hibbert/ Café Royal Books.

 

A further seventh publication and collaboration between Jeremy and Café Royal Books will follow in July, titled ‘Scottish Orange Walks, 1993-1998’.

Bellahouston Harriers – Nil Desperandum

Over the past year or two as I’ve ran for pleasure with the Glasgow-based Bellahouston Harriers club, I’ve been photographing the running club meets, the training, some portraits, made a little movie of track nights in winter…basically merging my two loves, that of running and photography, and giving back to the club along the way with photography.

Very nicely an edit of this work has now been made into book form by the club, and has finally been printed for the club members and a few extra copies. The book, ‘Nil Desperandum’, documents the runners in the 125th year of the historic Glasgow club, and includes quotes by the club runners on why they run, what it brings them and why they run with the club. A little snapshot of running club life.

During my recent photography assignment through 40 countries of the Commonwealth for with the Queen’s Baton Relay for the Gold Coast 2018 Commonwealth Games, the running club published on their site a little profile of myself and how my running fits in with my work. Stuart Miller, the author of the profile has given me permission to reprint it below.

—-

From Bellahouston Harriers website. –

‘Commonwealth journey ends for Bella snapper’

The opening ceremony in the Gold Coast on Wednesday will signal the start of competition for some of the world’s top athletes, but it will mark the end of remarkable Commonwealth Games journey for one Bellahouston Harrier.

Jeremy Sutton-Hibbert has spent much of the past year travelling the world, documenting the Queen’s Baton Relay for the Gold Coast 2018 Commonwealth Games. As one of the official Baton Relay photographers, Jeremy has captured images of the Baton’s passage across the Commonwealth, through major cities like Lagos and Auckland, remote areas of the South Sea Islands, and tribal communities in Africa.

Jeremy often spends weeks or months away from home at any one time. He has spent the last three months following the baton across Australia as part of the final 100 days countdown to the Games – when the baton is opened and the Queen’s message inside is read out by Prince Charles at the opening ceremony, it will signify the start of the 21st edition of the Games.

“My job as photo journalist is to document the passage of the Queen’s Baton Relay – this is the largest relay in the history of the Games, spanning 388 days, and covering 230,000 kilometres,” Jeremy said. “My days are full-on taking stills and shooting video, before editing the images and sending them to the Gold Coast media team for distribution to media around the world, and upload onto the official Games social media accounts.”

Jeremy said that his average day following the baton will start at 7am. He’ll track runners carrying the baton for miles on end through the countryside on some legs, while on others the baton will be passed from person to person every few hundred metres.

He described visits to schools, where the baton is carried around sports fields by pupils, and the showcasing of the baton at tourist hotspots. Top athletes will often carry the baton, and Jeremy recalled capturing David Rudisha and Lynsey Sharp in action, while he will also follow the baton on visits to local TV stations and to evening receptions hosted by the Australian High Commissioner or Governor General. Typically, at the end of the day, Jeremy will edit between 800 and 1,000 photos to select the best 20 to send back to Australia.

Despite long days working, and plenty of travelling, Jeremy has managed to find time for running in his hectic schedule.

“You make the most of free time when you get it,” he said. “If we have a later start such as 9am I can get out a run before work. On the Africa leg of my trip early in 2017 one of my colleagues was very into keeping fit and he and I set ourselves a challenge of doing a run in each country outside of the hotel grounds – I tried to keep that going through the whole year. In the end I think I managed to run in about 35 of the 40 countries I visited.”

“It was a great challenge to do because it plays into my love for travel and adventure. I combine running with photography. I love getting up and out while the light is really beautiful. You get to see a different side to where we are staying and it is great to look back and say ‘I had a good run there’, even if I manage out for only 5k. Photography is a young man’s game. I know running keeps me healthy and sharp and that is a big thing for me,” he said.

Of all the runs he has done while away, and all the places he has been, there are a couple of particular highlights.

Jeremy said: “Last December, in Vanuatu, the schedule that week was not quite as intense so I got out running four times. The hotel was next to a lagoon. I went out very early in the morning because of the heat. One morning I went out at 5am and I found myself running in a place that was so lush and beautiful. The environment was so beautiful I found myself laughing out loud. I was thinking to myself how lucky I was to be there, have the health to run, and how happy I was.”

 

 

“During the Africa leg we visited Iten in Kenya, the home of great distance running. We did not have a lot of time there, but a colleague and I wanted to squeeze a quick run in to say we ran in Iten so we ran up to under where the iconic sign of ‘Welcome to Iten Home of Champions’ stands. It was really pleasing to be there and see the town, and a nice little moment,” he said.

Jeremy’s links to the Commonwealth Games began back in 2012 when he successfully tendered for one of the photographer jobs for the Queen’s Baton Relay for the Glasgow 2014 Commonwealth Games. However, his love of running developed before then while he was living in Japan and training for the Tokyo marathon. It was during a rare trip back home that Jeremy’s association with Bellahouston Harriers began.

“I chose Bellahouston Harriers because I saw the distinctive vest,” Jeremy said. “I saw someone wearing the vest at Parkrun and I thought ‘wow that just looks amazing’. I came down to the club for a few weeks and really enjoyed mixing with like-minded people.”

After returning permanently from Japan, Jeremy joined the club in October 2016. His love of the club vest led him to organise a photo shoot for members where they had the opportunity to have portraits taken in their vests.

“I have been a professional photographer for 28 years and I am a believer in doing personal jobs,” Jeremy said. “It helps you to keep sharp and polish up aspects of your work that you need to work on. I wanted to portray the cross section of the people who run for the club and ‘run for the vest’, from the fast guys to the slower members.”

During his time as member, Jeremy has also beautifully documented the club’s 125 year anniversary celebrations and captured the atmosphere at a winter track session. He harbours longer term ambitions in movie-making.

“I am trying to write screenplay for a movie,” Jeremy said. “It will be set on a boat in the North Sea and was inspired years ago by the time I spent photographing on fishing trawlers. I am excited by the imagery I could put to it.”

 

Portrait of Britain

I’m delighted to have my portrait of Ian Borthwick, from Langholm Common Riding (from my Unsullied And Untarnished book), shortlisted in the British Journal of Photography’s #PortraitOfBritain project. (Many thanks Ian for your time doing the portrait!)
 
The 200 shortlisted images, selected from over 13,000, will be published in early September in a book by Hoxton Mini Press. “These images, in all their diversity, reflect something of the richness of this nation and remind us what there is to be celebrated,” says Martin Usborne, co-founder of Hoxton Mini Press and Portrait of Britain judge, “We hope the book is a powerful snapshot of a moment in our shared history that stands the test of time.”
 
In September it will be announced wihich 100 portraits from the shortlist will be displayed throughout the UK on JCDecaux advertising screens.
 
See all shortlisted images here: http://gallery.portraitofbritain.uk
 
 (and on Amazon).

A Window On Glasgow

I’m pleased to announce that 4 photographs of mine will be on display in the Consul’Art, in Marseille, France, in the coming weeks, as part of the Street Level Photoworks exhibition ‘A Window On Glasgow’.

This exhibition profiles aspects of Glasgow in 26 photographs covering styles of social documentary and portraiture to street and architectural photography, by several photographers who are associated with Street Level as artists and co-creators. The work portrays a unique profile of a city in constant transition – from the mid 70s, when half the city’s tenements were being demolished and the other half undergoing transformation and construction, to more recent depictions of people and place which convey the energy of change in the environment and in the diversity and demographics of its inhabitants. From a city recovering from the post-war deindustrialisation and depopulation, to one that has cohered around  community spirit, civic pride and a cultural resurgence in its art, music, theatre and writing, the exhibition aims to capture aspects of the social, cultural and political identify of Scotland’s largest city.

 

Waiting to see Nelson Mandela, George Square, Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert all rights reserved.
Waiting to see Nelson Mandela, George Square, Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert, all rights reserved.

 

Nelson Mandela receives Freedom Of The City, in Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert all rights reserved.
Nelson Mandela receives Freedom Of The City, in Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert, all rights reserved.

Exhibition includes work by myself, as well as Hugh Hood; Arpita Shah; Iseult Timmermans; Chris Leslie; Keith Ingham; Martin Hunter; Sarah Amy Fishlock, David Gillanders.

This exhibition is part of the celebrations to mark 10 years of Friendship and Twinning between Glasgow and Marseille, supported by Glasgow City Council and the City of Marseille.

Consul’Art: 21, Cours d’Estienne d’Orves – 13001 Marseille, France.

Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved.
Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow. 

 

PS Waverley passes by Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow.
PS Waverley passes by Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow.

Books of both series, Nelson Mandela in Glasgow, and Shipbuilding On The River Clyde, are both available to buy via Street Level Photoworks, Glasgow.

 

Clyde Built – Shipbuilding on the River Clyde

I’m pleased to announce that some of my archive work, of shipbuilding on Glasgow’s River Clyde in the 1990’s, has been published as a small book, and is due to be exhibited over the summer here in Glasgow.

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The photographs, shot in the Kvaerner, Yarrow and Ferguson’s shipyards on the River Clyde, have been published as a limited edition book by the industrious Craig Atkinson at Café Royal Books: ‘Shipbuilding on The River Clyde’.

A selection of the work from the book will be exhibited, in a group show ‘Govan / Gdansk’ at Street Level Photoworks gallery in Glasgow, Scotland, from 4th June until 31st July.

The show opening is Friday, June 3rd, at 6pm if you’re in the neighbourhood and would like to pop by. My book will be on sale at the show also, and on Saturday 4th June I’ll be talking about the work at the gallery. Please join us!

The book and exhibition were showcased a few days back by the Daily Record. You can read the article here, and here’s how it looked in a pretty decent spread.

201605_Shipbuilding

This exhibition at Street Level, curated by director Malcolm Dickson, will encompass the work of four photographers- Michal Szlaga of Poland, Nick Hedges of England, Raymond Depardon of France, and myself. The works on show link the shipyards of Govan in Glasgow and Gdansk in Poland and their post-industrial decline and resilience.

Michal Szlaga’s ‘Stocznia/Shipyard – Documents of Loss’ is the outcome of a 15 year project in which Szlaga has documented the buildings of the Gdansk Shipyard, their gradual demolition and the construction of new ones. For Szlaga, the shipyard represents a dynamic landscape of industrial architecture reflecting history and its people, the images loaded with memories of the turbulent times of the anti-communist revolution.

In 1980, the French Magnum photographer Raymond Depardon was commissioned by the Sunday Times to record aspects of Glasgow and the evocative results are now lauded as telling an unremittingly bleak portrayal of urban deprivation and decay. In 1968 Nick Hedges was commissioned by the housing charity Shelter to document the abject living conditions being experienced in slum housing in the UK, including Glasgow. The images here are from the seminal and humanistic body of work ‘A Life Worth Living’, which, like Depardon’s work, see children happily at play against the backdrop of the Govan cranes, evidence of a community spirit unthwarted by the harsh realities of life.  Shot for editorial clients, Jeremy Sutton-Hibbert’s ‘Shipbuilding’ from the mid-1990’s is a critical time capsule at the Kvaerner shipyards in Govan which catches the monumentality of this industry and the people who drove it. 

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The exhibition ‘Govan/Gdansk’ and the programme of events around the exhibition are organised in association with an RSE – funded research network on Regeneration and Waterfront Heritage Zones, exploring participatory approaches to waterfront regeneration in urban spaces in transition in Northern European cities. The main case studies of regeneration focus on Govan and wider Glasgow (Scotland) and Gdansk (Poland), each of which are dealing with the consequences of the post-industrial demise of the shipbuilding industry, trying to find a transition into a new economy and community.

Associated Events:

Street Level Photoworks | 4th June 2016, 1-4pm
Symposium: Attracted to dereliction? Documenting post-industrial heritage

•  Prof Katarzyna Kosmala (UWS) Introduction – Gdansk/Govan; Govan/Gdansk
•  Michal Szlaga talk and tour of the works
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) addressing issues of documenting and conversation, linking to his on-going research on Gdansk shipyard and post-industrial regeneration.
•  Talks: Jeremy Sutton-Hibbert, Chris Leslie
•  Discussion facilitated by Graham Jeffery (UWS)

 

UWS, School of Media Culture and Society, Paisley Campus | 3rd June 2016, 1-3pm, Room A100

Seminar is free and open to public. To register pls email: Susan.Caldwell@uws.ac.uk  by 31 May.

UWS research seminar series:  Panel on politics of regeneration, artists lens and community engagement with Polish artist Michal Szlaga’s video screening

•  Chair Prof Katarzyna Kosmala (UWS)
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) discussing his collaboration with Michal Szlaga in Gdansk shipyard, problematizing the heritage value of the site.
•  Roman Sebastyanski (UWS) addressing Gdansk shipyard regeneration through artists lens and public participation.
•  Dr Peter Matthews (Stirling University) discussing politics around connecting communities to/in post-regeneration era.

Alongside the exhibition we will be selling copies of Raymond Depardon’s ‘Glasgow’.
112 pages, 30x23cm, £20, and Jeremy Sutton-Hibbert’s ‘Shipbuilding on the River Clyde’ on Cafe Royal Books, £7.