Jeremy Sutton-Hibbert

Thoughts & stories from a hard working editorial, corporate, portrait, reportage photographer based in Glasgow, Scotland. T.+44-(0)7831-138817

June 9, 2016
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Shipbuilding, Glasgow – Limited Edition prints offer.

During the ‘Govan / Gdansk’ exhibition at Street Level Photoworks, Glasgow, which includes  a large series of my images form the Kvaerner shipyard in Govan in the 1990’s, I’m pleased to offer two limited edition prints for sale.

In the exhibition the images appear impressively large, a very nice 2metres wide each, allowing the scale and monumentality of the shipbuilding work to be seen, and almost experienced.

Images on show at 'Govan / Gdansk', at Street Level Photoworks, Glasgow, until July 31st.

Images on show at ‘Govan / Gdansk’, at Street Level Photoworks, Glasgow, until July 31st.

And available as limited edition prints, in editions of 10 each, at the gallery.

Shipbuilding on the River Clyde, with the PS Waverley, Glasgow, Scotland.

Shipbuilding on the River Clyde, with the PS Waverley, Glasgow, Scotland.

Please contact Street Level Photoworks for more information.

Street Level Photoworks,
Trongate 103,
Glasgow,
G1 5HD

E: reception@streetlevelphotoworks.org
T: 0141 552 2151

June 9, 2016
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A Window On Glasgow

I’m pleased to announce that 4 photographs of mine will be on display in the Consul’Art, in Marseille, France, in the coming weeks, as part of the Street Level Photoworks exhibition ‘A Window On Glasgow’.

This exhibition profiles aspects of Glasgow in 26 photographs covering styles of social documentary and portraiture to street and architectural photography, by several photographers who are associated with Street Level as artists and co-creators. The work portrays a unique profile of a city in constant transition – from the mid 70s, when half the city’s tenements were being demolished and the other half undergoing transformation and construction, to more recent depictions of people and place which convey the energy of change in the environment and in the diversity and demographics of its inhabitants. From a city recovering from the post-war deindustrialisation and depopulation, to one that has cohered around  community spirit, civic pride and a cultural resurgence in its art, music, theatre and writing, the exhibition aims to capture aspects of the social, cultural and political identify of Scotland’s largest city.

 

Waiting to see Nelson Mandela, George Square, Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert all rights reserved.

Waiting to see Nelson Mandela, George Square, Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert, all rights reserved.

 

Nelson Mandela receives Freedom Of The City, in Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert all rights reserved.

Nelson Mandela receives Freedom Of The City, in Glasgow, Scotland. 1993. ©Jeremy Sutton-Hibbert, all rights reserved.

Exhibition includes work by myself, as well as Hugh Hood; Arpita Shah; Iseult Timmermans; Chris Leslie; Keith Ingham; Martin Hunter; Sarah Amy Fishlock, David Gillanders.

This exhibition is part of the celebrations to mark 10 years of Friendship and Twinning between Glasgow and Marseille, supported by Glasgow City Council and the City of Marseille.

Consul’Art: 21, Cours d’Estienne d’Orves – 13001 Marseille, France.

Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved.

Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow. 

 

PS Waverley passes by Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow.

PS Waverley passes by Kvaerner shipyard on the River Clyde, Glasgow, Scotland, 1993. ©Jeremy Sutton-Hibbert , all rights reserved. Currently available as a limited edition print from Street Level Photoworks, Glasgow.

Books of both series, Nelson Mandela in Glasgow, and Shipbuilding On The River Clyde, are both available to buy via Street Level Photoworks, Glasgow.

 

May 4, 2016
by Admin
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Clyde Built – Shipbuilding on the River Clyde

I’m pleased to announce that some of my archive work, of shipbuilding on Glasgow’s River Clyde in the 1990’s, has been published as a small book, and is due to be exhibited over the summer here in Glasgow.

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The photographs, shot in the Kvaerner, Yarrow and Ferguson’s shipyards on the River Clyde, have been published as a limited edition book by the industrious Craig Atkinson at Café Royal Books: ‘Shipbuilding on The River Clyde’.

A selection of the work from the book will be exhibited, in a group show ‘Govan / Gdansk’ at Street Level Photoworks gallery in Glasgow, Scotland, from 4th June until 31st July.

The show opening is Friday, June 3rd, at 6pm if you’re in the neighbourhood and would like to pop by. My book will be on sale at the show also, and on Saturday 4th June I’ll be talking about the work at the gallery. Please join us!

The book and exhibition were showcased a few days back by the Daily Record. You can read the article here, and here’s how it looked in a pretty decent spread.

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This exhibition at Street Level, curated by director Malcolm Dickson, will encompass the work of four photographers- Michal Szlaga of Poland, Nick Hedges of England, Raymond Depardon of France, and myself. The works on show link the shipyards of Govan in Glasgow and Gdansk in Poland and their post-industrial decline and resilience.

Michal Szlaga’s ‘Stocznia/Shipyard – Documents of Loss’ is the outcome of a 15 year project in which Szlaga has documented the buildings of the Gdansk Shipyard, their gradual demolition and the construction of new ones. For Szlaga, the shipyard represents a dynamic landscape of industrial architecture reflecting history and its people, the images loaded with memories of the turbulent times of the anti-communist revolution.

In 1980, the French Magnum photographer Raymond Depardon was commissioned by the Sunday Times to record aspects of Glasgow and the evocative results are now lauded as telling an unremittingly bleak portrayal of urban deprivation and decay. In 1968 Nick Hedges was commissioned by the housing charity Shelter to document the abject living conditions being experienced in slum housing in the UK, including Glasgow. The images here are from the seminal and humanistic body of work ‘A Life Worth Living’, which, like Depardon’s work, see children happily at play against the backdrop of the Govan cranes, evidence of a community spirit unthwarted by the harsh realities of life.  Shot for editorial clients, Jeremy Sutton-Hibbert’s ‘Shipbuilding’ from the mid-1990’s is a critical time capsule at the Kvaerner shipyards in Govan which catches the monumentality of this industry and the people who drove it. 

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

Jeremy Sutton Hibbert — Shipbilding on the River Clyde

The exhibition ‘Govan/Gdansk’ and the programme of events around the exhibition are organised in association with an RSE – funded research network on Regeneration and Waterfront Heritage Zones, exploring participatory approaches to waterfront regeneration in urban spaces in transition in Northern European cities. The main case studies of regeneration focus on Govan and wider Glasgow (Scotland) and Gdansk (Poland), each of which are dealing with the consequences of the post-industrial demise of the shipbuilding industry, trying to find a transition into a new economy and community.

Associated Events:

Street Level Photoworks | 4th June 2016, 1-4pm
Symposium: Attracted to dereliction? Documenting post-industrial heritage

•  Prof Katarzyna Kosmala (UWS) Introduction – Gdansk/Govan; Govan/Gdansk
•  Michal Szlaga talk and tour of the works
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) addressing issues of documenting and conversation, linking to his on-going research on Gdansk shipyard and post-industrial regeneration.
•  Talks: Jeremy Sutton-Hibbert, Chris Leslie
•  Discussion facilitated by Graham Jeffery (UWS)

 

UWS, School of Media Culture and Society, Paisley Campus | 3rd June 2016, 1-3pm, Room A100

Seminar is free and open to public. To register pls email: Susan.Caldwell@uws.ac.uk  by 31 May.

UWS research seminar series:  Panel on politics of regeneration, artists lens and community engagement with Polish artist Michal Szlaga’s video screening

•  Chair Prof Katarzyna Kosmala (UWS)
•  Dr Waldemar Affelt (Nicolaus Copernicus University, Torun, and the Main Conservation Commission to the General Conservator of the Polish Republic) discussing his collaboration with Michal Szlaga in Gdansk shipyard, problematizing the heritage value of the site.
•  Roman Sebastyanski (UWS) addressing Gdansk shipyard regeneration through artists lens and public participation.
•  Dr Peter Matthews (Stirling University) discussing politics around connecting communities to/in post-regeneration era.

Alongside the exhibition we will be selling copies of Raymond Depardon’s ‘Glasgow’.
112 pages, 30x23cm, £20, and Jeremy Sutton-Hibbert’s ‘Shipbuilding on the River Clyde’ on Cafe Royal Books, £7.

March 14, 2016
by Admin
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Recent Tear Sheets

Here’s a couple of tear sheets from recent work…

First up, nice usage of some photography I shot on assignment for Greenpeace in Iitate, near Fukushima, in Japan, covering the nuclear radiation decontamination efforts there. It’s a shocking state of affairs there, the Fukushima nuclear disaster is far from finished and it is estimated the clean up will take at least another 40 years…but of course Prime Minister Shinzo Abe and his government wish to present a clean, decontaminated face to the world as the 2020 Olympics looms.

Here’s the cover and a spread from the recent Greenpeace report which used the images, and which makes for sobering reading.

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Image above shows a Japanese worker ‘decontaminating’ the forest, one stone at a time…the moss will grow back in weeks, and be contaminated due to the radiation held within the soil. A couple more spreads below from within the report…

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Another tear sheet just popped in to the studio is the below, a series of images shot for Historic Scotland magazine documenting a day in the life of one of their Rangers, and a journalist trying out the job for the day.  It was a fascinating reportage and portrait shoot, on Edinburgh’s Holyrood Park and Arthur’s Seat, granting me a fascinating insight in the park life, its history and the archaeology of the area.

The job required it was shot in mid-Winter, but the brief required the images to look like Spring as that is when the article would run in the magazine. The day of the shoot was a cold, dark, grey, winter day. Nothing like spring. But then the clouds parted and for 10 minutes there was blue sky and sunshine. I shot like crazy. Hey presto, spring time.

Alas, I was disappointed by the usage of the images, by the spread. The design wasn’t to my liking so much, but the client was happy and that ultimately is the aim.

HistScot1

HistScot3

 

More tear sheets to come soon…

March 7, 2016
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Unsullied And Untarnished, Common Ridings of Scotland

Unsullied And Untarnished, by Jeremy Sutton-Hibbert

Unsullied And Untarnished, by Jeremy Sutton-Hibbert

 

Ian Borthwick, Emblem Bearer of the Barley Banna', Langholm Common Riding, Scotland, 2014. From the project and new book 'Unsullied And Untarnished'.

Ian Borthwick, Emblem Bearer of the Barley Banna’, Langholm Common Riding, Scotland, 2014. From the project and new book ‘Unsullied And Untarnished’.

To coincide with Document Scotland’s ‘The Ties That Bind‘ show at the Scottish National Portrait Gallery, Edinburgh (until 24th April 2016), I’ve published a book of photographs from my recent project ‘Unsullied And Untarnished‘.

The info below, with a couple of spreads, gives you a flavour of the book which contains mainly portraiture with some reportage. I’ve been fortunate and feel honoured that photojournalist Harry Benson, honorary patron of Document Scotland, has written a little foreword for the book, and Alex Massie, Scotland editor of The Spectator, has written a beautiful essay for the book which explains the Common Riding festivals, and what they mean to the participants and communities. It’s a great essay.

The book can be ordered via my website, or via the buttons below. Thank you for taking a look, and if you’ve any questions please drop me a note. At the foot of the page there is a list of shops which also stock Unsullied And Untarnished.

The book has featured in various press over the past weeks, including a review of Unsullied And Untarnished by Dr. Katherine Parhar on Photomonitor.


Unsullied And Untarnished



 

Unsullied And Untarnished’ – A photographic portrait of the people of the towns of the Scottish Borders who each year undertake the maintaining of tradition, commemorating their local history and strengthening the bonds of their communities, during the annual Common Riding festivals of the summer months.

Braw Lassies and Honest Lads, Left Hand Lassies and Right Hand Men, Cornets, Hunters and Coldstreamers – all titles given to the upstanding youths who lead the festivities, and whose duty it is to carry the burgh or town standard around the common lands, to “bring it back unsullied and untarnished”.

ISBN: 978-0-9933742-0-3
96-pages, hardback, embossed cover.
58 Photos.
Foreword by photojournalist Harry Benson CBE
Essay by Alex Massie (Scotland editor of The Spectator)
RRP: £16.95

‘Unsullied And Untarnished’ forms Jeremy’s contribution to Document Scotland’s ‘The Ties That Bind’ photography exhibition at the Scottish National Portrait Gallery, Edinburgh, until 24th April 2016.
@DocuScotland #NGSTiesThatBind

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“Jeremy’s interest lies in photographing people both in their own environment and in the more tightly drawn framework of individual portraiture. In his new book Jeremy turns his camera on the Common Riding festivals of the Scottish Borders and goes in-depth to reveal the myriad of people who are a part of this historical tradition. It is with this book that Jeremy continues the steadfast tradition of Document Scotland.” – Excerpt from Unsullied And Untarnished foreword by photojournalist Harry Benson CBE.

 

Unsullied And Untarnished, by Jeremy Sutton-Hibbert

Three excerpts from essay, Unsullied And Untarnished, by Alex Massie:

 “Some of these ridings and festivals are ancient, stretching back five centuries and more. Others are more modern but, whatever their roots and antiquity, they have something in common. They are annual gatherings of remembrance and celebration; affirmations that though these may be small places there is nothing small about coming from Kelso or Galashiels, Lauder or Langholm.”

 “These festivals are not flashy, for the Border towns are not flashy places….They are an argument for the small places – none of the Border towns, not even Galashiels and Hawick can count as metropolises – and the importance and permanence of place. They maintain the golden threads that stretch back through the ages to a time when the world was a younger place. These festivals are the guardians and custodians of memory and without memory, what does identity matter?”

“Every Common Riding is unique yet, in this important respect, each is just the same as last year’s festivities. These are the permanent things; the ties that bind a people together, that insist upon the specialness of a particular small patch of Scotland. They are the things that make a difference, the things that matter most.
And if you listen carefully you will still hear the hoofbeats of history commanding us to remember and celebrate who we are and whence we have come.”

 

Unsullied And Untarnished, by Jeremy Sutton-Hibbert

 

Unsullied And Untarnished, by Jeremy Sutton-Hibbert

On Twitter @UnsulliedUntarn
#UnsulliedAndUntarnished


Unsullied And Untarnished



NGSTiesThatBind

 

 

Shops and galleries stocking Unsullied And Untarnished:

Scottish National Portrait Gallery, Edinburgh.

Fruitmarket Gallery, Edinburgh.

Street Level Photoworks, Glasgow.

Impressions Gallery, Bradford.

Main Street Books, St. Boswells.

Mason’s of Melrose, Melrose.

Forest Bookstore, Selkirk.

Vortigern Margate, Margate.